

When Sharpless tries to tell Butterfly this, she reveals that she gave birth to Pinkerton's child after he left. Sharpless is not sure what to say to her since the actual contents of the letter reveal that Pinkerton is indeed returning to Japan but that he has moved on with his life and no longer attaches himself to his Japanese wife. Butterfly excitedly thinks the letter says he will be back soon. Sharpless then shows up at her home with a letter from Pinkerton. While Suzuki claims that Pinkerton will never return, Butterfly insists that he will return to her. Butterfly has lived alone with her maid Suzuki. In the next act, three years have passed and Pinkerton is off and gone. Her family disowns her, but Pinkerton kicks out the relatives and comforts her. The wedding takes place, but Butterfly's uncle disapproves of the fact that she renounced her religion for her husband. Sharpless warns Pinkerton that treating this union casually may have tragic consequences. He only wants to temporarily marry her until he finds an American bride but lets the lovestruck Butterfly believe that the marriage is permanent. He confides to the American consul Sharpless that he admires her for her innocence and beauty, like a young delicate butterfly, and the fact that he can just as easily pluck her wings. Cio-Cio San, a beautiful 15-year-old geisha, is engaged to be married to a U.S. Madame Butterfly ( Madama Butterfly in Italian) is a three-act opera by Giacomo Puccini to a libretto by Giuseppe Giacosa and Luigi Illica.īased on both the French novel Madame Chrysanthème and the American short story and play Madame Butterfly and Madame Butterfly: A Tragedy of Japan, it tells the story of Cio-Cio San (nicknamed Butterfly) in 1904, Nagasaki, Japan. wiki-commons:Special:FilePath/Page_one_of_the_first.Madame_Butterfly_by_William_Furst.Leopoldo Metlicovitz's art-nouveau poster for the 1904 world premiere performance.wiki-commons:Special:FilePath/Valerie_Bergere_1.jpg.dbr:File:Page_one_of_the_first_violin_part.Madame_Butterfly_by_William_Furst.jpg.dbr:Portrayal_of_Asians_in_American_theater.wiki-commons:Special:FilePath/Valerie_Bergere_1.jpg?width=300.The title role was originally played in New York and London by Blanche Bates in 1900–01 in New York by Valerie Bergere and in 1913 by Clara Blandick. The play and Long's short story served as the basis for the libretto of Puccini's 1904 opera, Madama Butterfly.

It premiered on March 5, 1900, at the Herald Square Theatre in New York City and became one of Belasco's most famous works. Madame Butterfly: A Tragedy of Japan is a play in one act by David Belasco adapted from John Luther Long's 1898 short story "Madame Butterfly".
